베버 작품 리스트
Op.01 Fughettas (6) for piano 1798
Op.02 Variations sur un thème original (6) in C major, for piano 1800
Op.03 Petites pièces faciles (6), for piano 4 hands 1802–03?
Op.03 No.1 Sonatina, for piano 4 hands 1802–03?
Op.03 No.2 Romance, for piano 4 hands 1802–03?
Op.03 No.3 Menuetto, for piano 4 hands 1802–03?
Op.03 No.4 Andante con Variazioni, for piano 4 hands 1802–03?
Op.03 No.5 Marcia maestoso, for piano 4 hands 1802–03?
Op.03 No.6 Rondo, for piano 4 hands 1802–03?
Op.04 Allemandes (12), for piano 1801
Op.05 Variations sur l'air de ballet de "Castor et Pollux" (8), for piano 1804
Op.06 Variations sur l'air de Naga de "Samori" (6), for piano (with violin and cello ad lib.) 1804
Op.07 Variations sur l’air "Vien quà, Dorina bella" (7), for piano 1807
Op.08 Peter Schmoll und seine Nachbarn, opera in 2 acts 1801–02
Op.08 Grande ouverture à plusieurs instruments in E♭ major, for orchestra 1807
Op.09 Variations sur un thème original (7), for piano 1808
Op.10a Pieces (6), for piano 1809
Op.10b Sonates progressives (6), for violin and piano 1810
Op.10b No.1 Violin Sonata No.1 in F major 1810
Op.10b No.2 Violin Sonata No.2 in G major 1810
Op.10b No.3 Violin Sonata No.3 in D minor 1810
Op.10b No.4 Violin Sonata No.4 in E♭ major 1810
Op.10b No.5 Violin Sonata No.5 in A major 1810
Op.10b No.6 Violin Sonata No.6 in C major 1810
Op.11 Piano Concerto No.1 in C major 1810 - 1st / 2,3rd
Op.12 Momento capriccioso in B♭ major, for piano 1808
Op.13 No.1 Die Schäferstunde (Damon und Chloe) ("Endlich hatte Damon sie gefunden"), song for voice and guitar 1810 add
Op.13 No.2 Wiegenlied ("Schlaf, Herzenssöhnchen"), for voice and guitar 1810 add
Op.13 No.3 Liebeszauber ("Mädel, schau mir in’s Gesicht"), song for voice and guitar 1807
Op.13 No.4 An den Mond ("Sanftes Licht, weiche nicht"), song for voice and guitar 1809 add
Op.13 No.5 Die Zeit ("Es sitzt die Zeit in weissen Kleid"), song for voice and guitar 1810 add
Op.13 No.6 Mädchen, ach meide Männerschmeichelein, canon for 3 voices 1802
Op.14 Der erste Ton, for narrator, mixed chorus, and orchestra 1808, rev. 1810
Op.15 Lieder (6), for voice and piano 1808–09Op.15 No.1 Meine Lieder, meine Sänge, song for voice and piano 1809 add
Op.15 No.2 Klage ("Ein steter Kampf ist under Leben"), song for voice and piano 1808
Op.15 No.3 Der kleine Fritz an seine jungen Freunde ("Ach, wenn ich nur ein Liebchen hatte"), song for voice and piano 1809
Op.15 No.4 Was zieht zu deinem Zauberkreise, song for voice and piano 1809
Op.15 No.5 Das Röschen ("Ich sah ein Röschen"), song for voice and piano 1809
Op.15 No.6 Er an Sie ("Ein Echo kenn' ich"), song for voice and piano 1808
Op.16 Il momento s'avvicina ("La dolce speranza"), recitative and rondo for soprano and orchestra 1810
Op.19 Symphony No.1 in C major, for orchestra 1806–07, rev. 1810
Op.20 Grand potpourri in D major, for cello and orchestra 1808
Op.21 Grande polonaise in E♭ major, for piano 1808
Op.22 Variations sur un air norvégien (9) in D minor, for violin and piano 1808?
Op.23 No.1 Meine Farben ("Wollt ihr sie kennen?"), song for voice and piano 1808
Op.23 No.2 Die Blume ("Traurig, einsam welkst du hin"), rhapsodie for voice and piano 1809)
Op.23 No.3 Maienblümlein ("Maienblümlein, so schön"), song for voice and guitar or piano 1811
Op.23 No.4 Sonett ("Du liebes, holdes, himmelsüsses Wesen"), song for voice and piano 1812
Op.23 No.5 Heisse, stille Liebe schwebet, for soprano, 2 tenors, bass, and piano ad lib. 1812
Op.23 No.6 An eine Freundin ("Zur Freude ward geboren"), for soprano, 2 tenors, bass, and piano ad lib. 1812
Op.24 Piano Sonata No.1 in C major ("Perpetuum Mobile") 1812
Op.25 Deutsche Lieder (5), for voice and guitar 1811
Op.25 No.1 Liebe-Glühen ("In der Berge Riesenchatten"), song for voice and guitar or piano 1812
Op.25 No.2 Uber die BergeÜber die Berge mit Ungestüm, song for voice and guitar 1811
Op.25 No.3 Lass mich schlummern, song for voice and guitar 1811
Op.25 No.4 Bettlerlied ("I und mein junges Weib"), for voice and guitar or piano 1812
Op.25 No.5 Umringt von mutherfülltem Heere, song for male chorus 1811
Op.26 Concertino in E♭ major, for clarinet and orchestra 1811Op.27 Der Beherrscher der Geister (The Ruler of the Spirits), overture in D minor, for orchestra 1811
Op.28 Variations sur la romance "À peine au sortir" (7) on "A piene au sortir", for piano 1812
Op.29 Canzonettas (3) for voice and piano or guitar 1811
Op.29 No.1 Ah, dove siete, canzonetta for voice and guitar or piano 1811
Op.29 No.2 Ninfe se liete, canzonetta for voice and guitar or piano 1811
Op.29 No.3 Ch'io mai vi possa, canzonetta for voice and guitar or piano 1811
Op.30 Lieder (6), for voice and piano 1804–13
Op.30 No.1 Wiedersehen ("Jüngst sass ich am Grabe der Trauten allein"), song for voice and piano 1804
Op.30 No.2 Es stürmt auf der Flur, song for voice and piano 1813
Op.30 No.3 Unbefangenheit ("Frage mich immer"), song for voice and piano 1813
Op.30 No.4 Minnelied ("Der Holdseligen"), for voice and piano 1813
Op.30 No.5 Reigen ("Sagt mir an, was schmunzeit ihr"), song for voice and piano 1813
Op.30 No.6 Sind es Schmerzen, sind es Freuden, song for voice and piano 1813
Op.31 No.1 Mille volte, duet for 2 sopranos and piano 1811
Op.31 No.2 Va, ti consola, duet for 2 sopranos and piano 1811
Op.31 No.3 Se il mio ben, concert duet 1811
Op.32 Piano Concerto No.2 in E♭ major 1811–12
Op.33 Variations (7) on a theme from the opera "Silvana", for clarinet and piano 1811
Op.34 Clarinet Quintet in B♭ major 1811–15 - 1st / 2nd / 3rd / 4th
Op.35 Andante und Rondo ungarese in C minor, for viola and orchestra 1809
Op.35 Andante e Rondo ungarese in C minor, for bassoon and orchestra 1813
Op.36 In seiner Ordnung schafft der Herr, hymn for soprano, alto, tenor, bass, mixed chorus, and orchestra 1812
Op.37 Turandot, overture and marches for Schiller's drama 1809
Op.38 Divertimento assai facile, for guitar and piano 1816
Op.39 Piano Sonata No.2 in A♭ major 1814–16
Op.40 Variations sur un air russe (9) ("Schöne Minka"), for piano 1814–15
Op.41 Leyer und Schwerdt, songs (4) for voice and piano 1814
Op.41 No.1 Gebet während der Schlact ("Vater, ich rufe dich!"), song for voice and piano 1814
Op.41 No.2 Abschied vom Leben ("Die Wunde brennt"), song for voice and piano 1814
Op.41 No.3 Trost ("Herz, lass dich nicht zerspalten"), song for voice and piano 1814
Op.41 No.4 Mein Vaterland ("Was ist des Sängers Vaterland?"), song for voice and piano 1814
Op.42 Leyer und Schwerdt, for male chorus 1814
Op.42 No.1 Reiterlied ("Frisch auf mit raschem Flug!"), for male chorus 1814
Op.42 No.2 Lützow's wilde Jagd ("Was glänzt dort im Walde im Sonnenschein"), for male chorus 1814
Op.42 No.3 Gebet vor der Schlacht ("Hör uns, Allmächtiger!"), for male chorus 1814
Op.42 No.4 Männer und Buben ("Das Volk steht auf, der Sturm bricht los!"), for male chorus 1814
Op.42 No.5 Trinklied vor der Schlacht ("Schlacht, du brichst an!"), for male chorus 1814
Op.42 No.6 Schwertlied ("Du Schwert an meiner Linken"), for male chorus 1814
Op.43 Bei der Musik des Prinzen Louis Ferdinand von Preussen ("Düst’re Harmonieen hör’ ich klingen"), for voice and piano 1816
Op.44 Kampf und Sieg, cantata for soprano, alto, tenor, bass, mixed chorus, and orchestra 1815
Op.45 Concertino in E minor, for horn and orchestra 1806, rev. 1815
Op.46 Die Temperamente beim Verluste der Geliebten, songs (4) for voice and piano 1815–16
Op.46 No.1 Der Leichtmüthige ("Lust entfloh und hin ist hin"), song for voice and piano 1815–16
Op.46 No.2 Der Schwermüthige ("Sel'ge Zeiten"), song for voice and piano 1815–16
Op.46 No.3 Der Libewüthige ("Verrathen!"), song for voice and piano 1815–16
Op.46 No.4 Der Gleichmüthige ("Nun, ich bin befreit"), song for voice and piano 1815–16
Op.47 No.1 Die gefangenen Sänger ("Vöglein, einsam in dem Bauer"), song for voice and piano 1816
Op.47 No.2 Die freien Sänger ("Vöglein hüpfet in dem Haine"), song for voice and piano 1816
Op.47 No.3 Was stürmet die Haide herauf?, ballad for baritone and harp or piano 1815
Op.47 No.4 Der Jüngling und die Spröde ("Weile, Kind"), song for voice and piano 1816
Op.47 No.5 Mein Verlangen ("Ach, wär' ich doch"), song for voice and piano 1816
Op.47 No.6 Gebet um die Geliebte ("Alles in mir glühet, zu lieben!"), song for voice and piano 1814
Op.48 Grand duo concertante in E♭ major, for clarinet and piano 1815–16
Op.49 Piano Sonata No.3 in D minor 1816
Op.50 Misera me! ("Ho spavento d’ogn’aura"), scena and aria for soprano and orchestra 1811
Op.51 Non paventar mia vita ("Sei tu sempre il mio"), scene and aria for for soprano and orchestra 1815
Op.52 Ha! sollte Edmund selbst der Mörder sein? ("Lass, o lass ihn Rettung finden"), scene and aria for soprano and orchestra 1814?
Op.53a Signor, se padre sei ("Chiamami ancor"), scena and aria for tenor, 2 choruses and orchestra 1812
Op.53b No.1 or Op.57 No.1 Lebenslied am Geburtstag ("Freunde, dass Glut liebend uns trage"), for 4 male voices and piano 1814
Op.53b No.2 or Op.57 No.2 Schone Ahnung ist erglommen ("Frühlingslied"), for 4 male voices, and piano ad lib. 1818
Op.53b No.3 or Op.57 No.3 Zwei Kränze zum Annen-Tage ("Flüstert lieblich, Sommerlüfte"), for 4 male voices and piano 1817
Op.54 No.1 Die fromme Magd ("Ein’ fromme Magd von gutem Stand"), song for voice and piano 1818
Op.54 No.2 Quodlibet ("So geht es in Schnützelputz-Häusel"), for 2 voices and piano 1817
Op.54 No.3 Liebeslied ("Ich hab’ mir eins erwählt"), for voice and piano 1817
Op.54 No.4 Abschied ("O Berlin, ich muss dich lassen"), for 2 voices and piano 1817
Op.54 No.5 Alte Weiber (" 'S is nichts mit den alten Weibern"), song for voice and piano 1817
Op.54 No.6 Wenn ich ein Vöglein wär', folksong for voice and piano 1818
Op.54 No.7 Weine, weine nur nicht, folksong for voice and piano 1818
Op.55 Variations sur un chant tzigane (7) on a Gypsy Song (Variationen über ein Zigeuner Lied), for piano 1817
Op.56 Was sag ich? ("Fern von ihm"), scena and aria for soprano and orchestra 1816–18?
Op.58 Jubel-Cantate (zur Feier des 50 jährigen Regierungsantritts Sr. Majestät), for soprano, alto, tenor, bass, mixed chorus, and orchestra 1818
Op.59 Jubel-Ouvertüre in E major, for orchestra 1818
Op.60 Pieces (8), for piano 4 hands 1818–19
Op.60 No.1 Moderato (Arioso) in D major, for piano 4 hands 1818
Op.60 No.2 Allegro (Allla militaire) in C major, for piano 4 hands 1819
Op.60 No.3 Adagio in F major, for piano 4 hands 1819
Op.60 No.4 Allegro in A minor ("All' Ongarese"), for piano 4 hands 1818
Op.60 No.5 Alla Siciliana, in F major, for piano 4 hands 1818
Op.60 No.6 Tema variato ("Ich hab' mir Eins erwählet"), for piano 4 hands 1819
Op.60 No.7 Marcia funebre in G minor, for piano 1819
Op.60 No.8 Rondo (Scherzando) in B♭ major, for piano 4 hands 1819
Op.61 Natur und Liebe (Cantate zur Feyer des Augustus-Tages), for 2 sopranos, 2 tenors, 2 basses, and piano 1818
Op.62 Rondo brillante in E♭ major ("La gaité"), for piano 1819
Op.63 Trio in G minor, for flute, cello and piano 1818–19
Op.64 Volkslieder (8), for 1, 2 or 3 voices and piano 1818
Op.64 No.1 Mein Schatzerl is hübsch, folksong for voice and piano 1818
Op.64 No.2 Mailed ("Tra, ri, ro! Der Sommer, der ist do!"), for 2 voices and piano 1817
Op.64 No.3 Heimlicher Liebe Pein ("Mein Schatz, der ist auf die Wanderschaft hin"), song for voice and piano 1818
Op.64 No.4 Gelahrtheit ("Ich empfinde fast"), song for voice and piano 1818
Op.64 No.5 Abendsegen ("Der Tag hat seinen Schmuck"), song for voice and piano 1819
Op.64 No.6 Liebesgruss aus der Ferne ("Sind wir gescheiden"), song for voice and piano 1819
Op.64 No.7 Ei, ei, ei wie scheint der Mond so hell, for 2 tenors and bass 1818
Op.64 No.8 Herzchen, mein Schätzchen, folksong for voice and piano 1819
Op.65 Aufforderung zum Tanze (Invitation to the Dance), rondeau brillant for piano 1819
Op.66 No.1 Das Veilchen im Thale ("Ein Veilchen blüht"), song for voice and piano 1817
Op.66 No.2 Rosen im Haare, song for voice and piano 1818
Op.66 No.3 Ich denke dein, song for voice and piano 1806
Op.66 No.4 Lebensansicht ("Frei und froh mit muntern Sinnen"), song for voice and piano 1812
Op.66 No.5 Die Lethe des Lebens ("Wenn, Brüder, wie wir täglich sehen"), for baritone, mixed chorus, and piano 1809
Op.66 No.6 Wunsch und Entsagung ("Wenn ich die Blümlein schau"), song for voice and piano 1817
Op.68 No.1 Das Turnierbankett ("Füllet die Humpen, muthige Knappen"), for 2 tenors, bass, and 2 male choruses 1812
Op.68 No.2 Ermunterung ("Ja, freue dich, so wie du bist"), for 4 male voices 1819
Op.68 No.3 Freiheitslied ("Ein Kind ist uns geboren"), for 4 male voices 1819
Op.68 No.4 Schlummerlied ("Sohn der Ruhe, sinke nieder"), for 4 male voices 1822
Op.68 No.5 Gute Nacht ("Bald heisst es wieder ‘Gute Nacht!’"), for 4 male voices 1819
Op.68 No.6 Husarenlied ("Husaren sind gar wack’re Truppen"), for 4 male voices 1821
Op.70 Piano Sonata No.4 in E minor 1819–22
Op.71 No.1 Triolett ("Keine Lust ohn’ treues Lieben!"), song for voice and piano 1819
Op.71 No.2 Ein Mädchen ging die Wies’ entlang ("Bach, Echo und Kuss"), lied for voice and guitar or piano 1818
Op.71 No.3 Das Mädchen an das erste Schneeglöckchen ("Was bricht hervor wie Blüthen weiss"), song for voice and piano 1819
Op.71 No.4 Umsonst entsagt’ ich der lockenden Liebe, song for voice and piano 1802
Op.71 No.5 Lied der Hirtin ("Wenn die Maien grün sich kleiden"), for voice and piano 1818
Op.71 No.6 Des Künstlers Abschied ("Auf die stürm’sche See hinaus"), song for voice and guitar or piano 1810
Op.72 Polacca brillante ("L'hilarité"), for piano 1819
Op.73 Clarinet Concerto No.1 in F minor 1811
Op.74 Clarinet Concerto No.2 in E♭ major 1811 1st, 2nd 3rd
Op.75 Bassoon Concerto in F major 1811, rev. 1822
Op.75a Missa Sancta No.1 in E♭ major ("Freischützmesse"), for soprano, alto, tenor, bass, mixed chorus, and orchestra 1817–18
Op.76 Missa Sancta No.2 in G major ("Jubelmesse"), for soprano, alto, tenor, bass, mixed chorus, and orchestra 1818–19
Op.77 Der Freischütz, romantic opera in 3 acts 1817–21
Op.78 Preciosa, incidental music for the play by P. A. Wolff, for voice, mixed chorus and orchestra 1820–21
Op.79 Konzertstück (Concertstück) in F minor, for piano and orchestra 1821
Op.80 No.1 Lied von Clotilde ("Wenn Kindlein süssen Schlummers Ruh"), for voice and piano 1821?
Op.80 No.2 Sehnsucht (Weihnachtslied) ("Judäa, hochgelobtes Land"), song for voice and piano 1819
Op.80 No.3 Elfenlied ("Ich tummle mich auf der Haide"), for voice and piano 1819
Op.80 No.4 Schmerz ("Herz, mein Herz, ermanne dich!"), song for voice and piano 1820
Op.80 No.5 An sie ("Das war ein recht abscheuliches Gesicht"), song for voice and piano 1820
Op.80 No.6 Der Sänger und der Maler ("Ei, wenn ich doch ein Maler wär’ "), song for voice and piano 1820
Op.81 Euryanthe, grand romantic opera in 3 acts 1822–23, rev. 1825 서곡
— Die Kerze ("Ungern flieht das süsse Leben"), song for voice and piano 1802
— Ecossaises (6), for piano 1802
— Ein Gärtchen und ein Häuschen drin, terzetto for soprano, tenor, and bass 1803
— Grablied ("Leis wandeln wir, wie Geisterhauch") 1803, rev. 1804
— Entfliehet schnell von mir, song for voice and piano 1803
— Samori, arrangement of vocal score to the opera by G. J.Vogler 1803–04
— Ich sah sie hingesunken, song for voice and piano 1804
— Rübezahl, romantic opera in 2 acts 1804–05
— Romanza siciliana in G minor, for flute and orchestra 1805
— Kleiner Tusch, for 20 trumpets 1806
— Variations on 'A Schüsserl und a Rein'dl' (6) in C major, for viola and orchestra 1802–03?, rev. 1806
— Symphony No.2 in C major, for orchestra 1807
— Komisches musikalisches Sendschreiben ("Theuerster Herr Kapellmeister"), for voice and continuo 1808
— Horch'! Leise horch', Geliebte!, serenade for voice and guitar 1809
— Chorus for Franz Danzi’s Birthday, for mixed chorus 1809
— Romanze der Laura (Die Ruinen) ("Süsse Ahnung dehnt den Busen"), song for voice and piano 1809
— Piano Quartet ("Grand quatour") in B♭ major, for violin, viola, cello, and piano 1806–09
— Was ich da thu’, das fragt Er mich?, rondo alla polacca for tenor and orchestra 1809
— Dich an dies Herz zu drücken, duet for soprano, tenor and orchestra 1809
— Trinklied ("Weil es also Gott gefügt"), for voice and piano 1809)
— Silvana, romantic comic-heroic opera in 3 acts 1808–10, rev. 1812
— Sicchè t’inganni, o Clori, canzonetta 1810?
— Die Sonate soll ich spielen, canon for 3 voices 1810
— Canons zu zwey sind nicht drey, canon for 3 voices 1810
— Das neue Lied ("Ein neues Lied"), for voice and piano 1810
— Variations in D minor, for cello and orchestra 1810
— Leck’ mich im Angesicht, canon for 3 voices 1810
— Abu Hassan, singspiel in 1 act 1810–11, rev. 1812–13 and 1823
— Rase, Sturmwind, blase, song for voice and guitar 1811
— Adagio und Rondo in F major, for harmonichord or reed organ and orchestra 1811
— Trauer-Musik ("Hörst du der Klage dumpfen Schall"), for baritone, mixed chorus, and wind instruments 1811
— Melody in F major, for solo clarinet 1811?
— Qual altro attendi ("Giusti Numi!"), scena and aria for tenor, male chorus and orchestra 1811
— Romanze (Wiedersehn) ("Um Rettung bietet ein güld’nes Geschmeide"), song for voice and piano 1812
— Lenz erwacht, und Nachtigallen, for 2 sopranos, 2 tenors, 2 basses, and piano 1812
— Schwäbisches Tanzlied ("Geiger und Pfeiffer"), for soprano, 2 tenors, bass, and piano ad lib. 1812
— Kriegs-Eid ("Wir stehn vor Gott"), for male chorus, bassoon, 3 horns, 2 trumpets, and trombone 1812
— Favorit-Walzer der Kaiserin von Frankreich Marie Louise (6) (Favourite Waltzes of the French Empress Marie Louise), for piano 1812
— Waltz in E♭ major, for 2 clarinets, 2 bassoons, 2 horns, and trumpet 1812
— Lieder (4), arrangements for wind ensemble of works by Duke Emil Leopold August of Gotha 1812
— Ein jeder Geck sucht zu gefallen, duet by J.Weigl, arranged for 2 sopranos and orchestra 1814
— Ihr holden Blumen, arietta for soprano and orchestra 1814
— Zu dem Reich der Töne schweben, canon for 4 voices 1814
— Scheiden und leiden ist einerlei, canon for 4 voices 1814
— Zu unsers Heinrich Ruhm und Preiss ("Drei Knäbchen lieblich ausstaffiret"), burleske for 3 voices 1815
— Mein Weib ist capores, lied for baritone and orchestra 1815
— Frau Lieserl juhe!, Tanzlied for soprano, baritone and orchestra 1815
— Deutscher ("Original-Walzer"), waltz for orchestra Arranged from Frau Lieserl juhe, J.184. 1815
— Wer stets hinter’m Ofen kroch, for baritone, male chours, and orchestra 1815
— Wie wir voll Glut uns hier zusammenfinden, for tenor and orchestra 1815
— Tedesco, for orchestra 1816
— Weil Maria Töne hext, canon for 3 voices 1816
— Ariette der Lucinde, for soprano and orchestra 1816
— Ein König einst gefangen sass, romance for voice and guitar 1816
— König Yngurd, incidental music to A. Müllner's play, for mezzo-soprano and orchestra 1817
— Von dir entfernt, Geliebter, recitative and cavatina by F. Paer, arranged for soprano and orchestra 1817
— Ja, ich bin entschlossen ("Lass Schmerzen, o lass Gefahren") , recitative and duet by S. Nasolini, arranged for soprano, tenor and orchestra 1817
— Donna Diana, song for voice and 2 guitars for the play by C. A. West 1817
— L’accoglienza, cantata for 3 sopranos, tenor, 2 basses, mixed chorus, and orchestra 1817
— Hold ist der Cyanenkranz, lied for solo voices and mixed chorus 1817
— Leise weht es, romance for voice and guitar 1818
— Sei gegrüsst, Frau Sonne, mir, lied for tenor and bass (with piano?) 1818
— Gloria et honore, offertory in E♭ major, for soprano, mixed chorus and orchestra 1818
— Im Provence blüht die Liebe, dance and song for tenor, chorus and orchestra 1818
— Der Tod Heinrichs IV, incidental music to the play by E. Gehe, for orchestra 1818
— Heil dir, Sappho!, for mixed chorus and wind band 1818
— Lieb’ um Liebe, incidental music to the play by Rublack, for solo voices, mixed chorus, and orchestra 1818
— God Save the King ("Den König segne Gott"), arranged for male chorus :For the play Lieb’ und Versöhnen by F. W. Gubitz. See also J.186 and J.187. 1815–18?
— In die solemnitatis, offertory in C major, for soprano, mixed chorus and orchestra 1818
— God Save the King, arranged for mixed chorus and wind ensemble 1819
— Doppel Canon à 4 für L. Spohr 1819
— Agnus Dei, for female chorus and wind ensemble 1820
— Der Leuchtthurm, incidental music to the play by E. von Houwald, for harp 1820
— Sagt, woher stammt Liebeslust, lied for soprano, alto, female chorus, and guitar 1821
— Du, bekränzend uns’re Laren, cantata for 2 sopranos, tenor, bass, mixed chorus, flute, and piano 1821
— Das Licht im Thale ("Der Gasthirt steht am Felsenrand"), song for voice and piano 1822?
— Marcia vivace, for 10 trumpets 1822?
— Den Sachsen-Sohn vermählet heute, incidental music to the festspiel by L. Robert, for mixed chorus and orchestra 1822
— Wo nehm’ ich Blumen her, for soprano, tenor, bass, and piano 1823
— Elle était simple et gentilette ("Te voir encore"), romance for voice and piano 1824
— Reiterlied ("Hinaus! Hinaus zum blut’gen Strauss!"), for 4 male voices, and piano ad lib. 1825
— Schützenweihe ("Hörnerschall! Ueberfall"), for 4 male voices, and piano ad lib. 1825
— Schottische National-Gesänge (Scottish National Songs), arranged for voice, flute, violin, cello, and piano 1825
— Soothing Shades of Gloaming, folksong arranged for voice, flute, violin, cello and piano 1825
— The Troubadour ("Glowing with love"), folksong arranged for voice, flute, violin, cello and piano 1825
— O Poortith Cauld, folksong arranged for voice, flute, violin, cello and piano 1825
— Bonny Dundee ("True-hearted was he"), folksong arranged for voice, flute, violin, cello and piano 1825
— Yes, Thou May'st Walk, folksong arranged for voice, flute, violin, cello and piano 1825
— A Soldier Am I, folksong arranged for voice, flute, violin, cello and piano 1825
— Contented wi' Little, and Canty wi' Mair, folk song for voice, flute, violin, cello and piano 1825
— John Anderson, My Jo' , folksong arranged for voice, flute, violin, cello and piano 1825
— O My Love's Like the Red, Red Rose, folksong arranged for voice, flute, violin, cello and piano 1825
— Robin is My Joy, folksong arranged for voice, flute, violin, cello and piano 1825
— Whar Ha'e ye Been a' Day, folksong arranged for voice, flute, violin, cello and piano 1825
— Olimpie, additional music for Spontini’s opera 1825
— Oberon, romantic and fairy opera in 3 acts 1825–26 서곡
— March in C major, for wind ensemble 1826
— Song of Nurmahal ("From Chindara’s warbling fount I come"), for voice and piano 1826
— Das Waldmädchen (Das stumme Waldmädchen), romantic-comic opera in 2 acts 1800
— Deo Rosa, Gottes Rose, for 4 male voices 1821
— Fragment in E♭ major 1821
— Die drei Pintos, comic opera in 3 acts 1820–21
Op.01 Fughettas (6) for piano 1798
Op.02 Variations sur un thème original (6) in C major, for piano 1800
Op.03 Petites pièces faciles (6), for piano 4 hands 1802–03?
Op.03 No.1 Sonatina, for piano 4 hands 1802–03?
Op.03 No.2 Romance, for piano 4 hands 1802–03?
Op.03 No.3 Menuetto, for piano 4 hands 1802–03?
Op.03 No.4 Andante con Variazioni, for piano 4 hands 1802–03?
Op.03 No.5 Marcia maestoso, for piano 4 hands 1802–03?
Op.03 No.6 Rondo, for piano 4 hands 1802–03?
Op.04 Allemandes (12), for piano 1801
Op.05 Variations sur l'air de ballet de "Castor et Pollux" (8), for piano 1804
Op.06 Variations sur l'air de Naga de "Samori" (6), for piano (with violin and cello ad lib.) 1804
Op.07 Variations sur l’air "Vien quà, Dorina bella" (7), for piano 1807
Op.08 Peter Schmoll und seine Nachbarn, opera in 2 acts 1801–02
Op.08 Grande ouverture à plusieurs instruments in E♭ major, for orchestra 1807
Op.09 Variations sur un thème original (7), for piano 1808
Op.10a Pieces (6), for piano 1809
Op.10b Sonates progressives (6), for violin and piano 1810
Op.10b No.1 Violin Sonata No.1 in F major 1810
Op.10b No.2 Violin Sonata No.2 in G major 1810
Op.10b No.3 Violin Sonata No.3 in D minor 1810
Op.10b No.4 Violin Sonata No.4 in E♭ major 1810
Op.10b No.5 Violin Sonata No.5 in A major 1810
Op.10b No.6 Violin Sonata No.6 in C major 1810
Op.11 Piano Concerto No.1 in C major 1810 - 1st
/ 2,3rd Op.12 Momento capriccioso in B♭ major, for piano 1808
Op.13 No.1 Die Schäferstunde (Damon und Chloe) ("Endlich hatte Damon sie gefunden"), song for voice and guitar 1810
addOp.13 No.2 Wiegenlied ("Schlaf, Herzenssöhnchen"), for voice and guitar 1810
addOp.13 No.3 Liebeszauber ("Mädel, schau mir in’s Gesicht"), song for voice and guitar 1807
Op.13 No.4 An den Mond ("Sanftes Licht, weiche nicht"), song for voice and guitar 1809
addOp.13 No.5 Die Zeit ("Es sitzt die Zeit in weissen Kleid"), song for voice and guitar 1810
addOp.13 No.6 Mädchen, ach meide Männerschmeichelein, canon for 3 voices 1802
Op.14 Der erste Ton, for narrator, mixed chorus, and orchestra 1808, rev. 1810
Op.15 Lieder (6), for voice and piano 1808–09Op.15 No.1 Meine Lieder, meine Sänge, song for voice and piano 1809
addOp.15 No.2 Klage ("Ein steter Kampf ist under Leben"), song for voice and piano 1808
Op.15 No.3 Der kleine Fritz an seine jungen Freunde ("Ach, wenn ich nur ein Liebchen hatte"), song for voice and piano 1809
Op.15 No.4 Was zieht zu deinem Zauberkreise, song for voice and piano 1809
Op.15 No.5 Das Röschen ("Ich sah ein Röschen"), song for voice and piano 1809
Op.15 No.6 Er an Sie ("Ein Echo kenn' ich"), song for voice and piano 1808
Op.16 Il momento s'avvicina ("La dolce speranza"), recitative and rondo for soprano and orchestra 1810
Op.19 Symphony No.1 in C major, for orchestra 1806–07, rev. 1810
Op.20 Grand potpourri in D major, for cello and orchestra 1808
Op.21 Grande polonaise in E♭ major, for piano 1808
Op.22 Variations sur un air norvégien (9) in D minor, for violin and piano 1808?
Op.23 No.1 Meine Farben ("Wollt ihr sie kennen?"), song for voice and piano 1808
Op.23 No.2 Die Blume ("Traurig, einsam welkst du hin"), rhapsodie for voice and piano 1809)
Op.23 No.3 Maienblümlein ("Maienblümlein, so schön"), song for voice and guitar or piano 1811
Op.23 No.4 Sonett ("Du liebes, holdes, himmelsüsses Wesen"), song for voice and piano 1812
Op.23 No.5 Heisse, stille Liebe schwebet, for soprano, 2 tenors, bass, and piano ad lib. 1812
Op.23 No.6 An eine Freundin ("Zur Freude ward geboren"), for soprano, 2 tenors, bass, and piano ad lib. 1812
Op.24 Piano Sonata No.1 in C major ("Perpetuum Mobile") 1812
Op.25 Deutsche Lieder (5), for voice and guitar 1811
Op.25 No.1 Liebe-Glühen ("In der Berge Riesenchatten"), song for voice and guitar or piano 1812
Op.25 No.2 Uber die BergeÜber die Berge mit Ungestüm, song for voice and guitar 1811
Op.25 No.3 Lass mich schlummern, song for voice and guitar 1811
Op.25 No.4 Bettlerlied ("I und mein junges Weib"), for voice and guitar or piano 1812
Op.25 No.5 Umringt von mutherfülltem Heere, song for male chorus 1811
Op.26 Concertino in E♭ major, for clarinet and orchestra 1811
Op.27 Der Beherrscher der Geister (The Ruler of the Spirits), overture in D minor, for orchestra 1811Op.28 Variations sur la romance "À peine au sortir" (7) on "A piene au sortir", for piano 1812
Op.29 Canzonettas (3) for voice and piano or guitar 1811
Op.29 No.1 Ah, dove siete, canzonetta for voice and guitar or piano 1811
Op.29 No.2 Ninfe se liete, canzonetta for voice and guitar or piano 1811
Op.29 No.3 Ch'io mai vi possa, canzonetta for voice and guitar or piano 1811
Op.30 Lieder (6), for voice and piano 1804–13
Op.30 No.1 Wiedersehen ("Jüngst sass ich am Grabe der Trauten allein"), song for voice and piano 1804
Op.30 No.2 Es stürmt auf der Flur, song for voice and piano 1813
Op.30 No.3 Unbefangenheit ("Frage mich immer"), song for voice and piano 1813
Op.30 No.4 Minnelied ("Der Holdseligen"), for voice and piano 1813
Op.30 No.5 Reigen ("Sagt mir an, was schmunzeit ihr"), song for voice and piano 1813
Op.30 No.6 Sind es Schmerzen, sind es Freuden, song for voice and piano 1813
Op.31 No.1 Mille volte, duet for 2 sopranos and piano 1811
Op.31 No.2 Va, ti consola, duet for 2 sopranos and piano 1811
Op.31 No.3 Se il mio ben, concert duet 1811
Op.32 Piano Concerto No.2 in E♭ major 1811–12
Op.33 Variations (7) on a theme from the opera "Silvana", for clarinet and piano 1811
Op.34 Clarinet Quintet in B♭ major 1811–15 - 1st
/ 2nd / 3rd / 4th Op.35 Andante und Rondo ungarese in C minor, for viola and orchestra 1809
Op.35 Andante e Rondo ungarese in C minor, for bassoon and orchestra 1813
Op.36 In seiner Ordnung schafft der Herr, hymn for soprano, alto, tenor, bass, mixed chorus, and orchestra 1812
Op.37 Turandot, overture and marches for Schiller's drama 1809
Op.38 Divertimento assai facile, for guitar and piano 1816
Op.39 Piano Sonata No.2 in A♭ major 1814–16
Op.40 Variations sur un air russe (9) ("Schöne Minka"), for piano 1814–15
Op.41 Leyer und Schwerdt, songs (4) for voice and piano 1814
Op.41 No.1 Gebet während der Schlact ("Vater, ich rufe dich!"), song for voice and piano 1814
Op.41 No.2 Abschied vom Leben ("Die Wunde brennt"), song for voice and piano 1814
Op.41 No.3 Trost ("Herz, lass dich nicht zerspalten"), song for voice and piano 1814
Op.41 No.4 Mein Vaterland ("Was ist des Sängers Vaterland?"), song for voice and piano 1814
Op.42 Leyer und Schwerdt, for male chorus 1814
Op.42 No.1 Reiterlied ("Frisch auf mit raschem Flug!"), for male chorus 1814
Op.42 No.2 Lützow's wilde Jagd ("Was glänzt dort im Walde im Sonnenschein"), for male chorus 1814
Op.42 No.3 Gebet vor der Schlacht ("Hör uns, Allmächtiger!"), for male chorus 1814
Op.42 No.4 Männer und Buben ("Das Volk steht auf, der Sturm bricht los!"), for male chorus 1814
Op.42 No.5 Trinklied vor der Schlacht ("Schlacht, du brichst an!"), for male chorus 1814
Op.42 No.6 Schwertlied ("Du Schwert an meiner Linken"), for male chorus 1814
Op.43 Bei der Musik des Prinzen Louis Ferdinand von Preussen ("Düst’re Harmonieen hör’ ich klingen"), for voice and piano 1816
Op.44 Kampf und Sieg, cantata for soprano, alto, tenor, bass, mixed chorus, and orchestra 1815
Op.45 Concertino in E minor, for horn and orchestra 1806, rev. 1815
Op.46 Die Temperamente beim Verluste der Geliebten, songs (4) for voice and piano 1815–16
Op.46 No.1 Der Leichtmüthige ("Lust entfloh und hin ist hin"), song for voice and piano 1815–16
Op.46 No.2 Der Schwermüthige ("Sel'ge Zeiten"), song for voice and piano 1815–16
Op.46 No.3 Der Libewüthige ("Verrathen!"), song for voice and piano 1815–16
Op.46 No.4 Der Gleichmüthige ("Nun, ich bin befreit"), song for voice and piano 1815–16
Op.47 No.1 Die gefangenen Sänger ("Vöglein, einsam in dem Bauer"), song for voice and piano 1816
Op.47 No.2 Die freien Sänger ("Vöglein hüpfet in dem Haine"), song for voice and piano 1816
Op.47 No.3 Was stürmet die Haide herauf?, ballad for baritone and harp or piano 1815
Op.47 No.4 Der Jüngling und die Spröde ("Weile, Kind"), song for voice and piano 1816
Op.47 No.5 Mein Verlangen ("Ach, wär' ich doch"), song for voice and piano 1816
Op.47 No.6 Gebet um die Geliebte ("Alles in mir glühet, zu lieben!"), song for voice and piano 1814
Op.48 Grand duo concertante in E♭ major, for clarinet and piano 1815–16
Op.49 Piano Sonata No.3 in D minor 1816
Op.50 Misera me! ("Ho spavento d’ogn’aura"), scena and aria for soprano and orchestra 1811
Op.51 Non paventar mia vita ("Sei tu sempre il mio"), scene and aria for for soprano and orchestra 1815
Op.52 Ha! sollte Edmund selbst der Mörder sein? ("Lass, o lass ihn Rettung finden"), scene and aria for soprano and orchestra 1814?
Op.53a Signor, se padre sei ("Chiamami ancor"), scena and aria for tenor, 2 choruses and orchestra 1812
Op.53b No.1 or Op.57 No.1 Lebenslied am Geburtstag ("Freunde, dass Glut liebend uns trage"), for 4 male voices and piano 1814
Op.53b No.2 or Op.57 No.2 Schone Ahnung ist erglommen ("Frühlingslied"), for 4 male voices, and piano ad lib. 1818
Op.53b No.3 or Op.57 No.3 Zwei Kränze zum Annen-Tage ("Flüstert lieblich, Sommerlüfte"), for 4 male voices and piano 1817
Op.54 No.1 Die fromme Magd ("Ein’ fromme Magd von gutem Stand"), song for voice and piano 1818
Op.54 No.2 Quodlibet ("So geht es in Schnützelputz-Häusel"), for 2 voices and piano 1817
Op.54 No.3 Liebeslied ("Ich hab’ mir eins erwählt"), for voice and piano 1817
Op.54 No.4 Abschied ("O Berlin, ich muss dich lassen"), for 2 voices and piano 1817
Op.54 No.5 Alte Weiber (" 'S is nichts mit den alten Weibern"), song for voice and piano 1817
Op.54 No.6 Wenn ich ein Vöglein wär', folksong for voice and piano 1818
Op.54 No.7 Weine, weine nur nicht, folksong for voice and piano 1818
Op.55 Variations sur un chant tzigane (7) on a Gypsy Song (Variationen über ein Zigeuner Lied), for piano 1817
Op.56 Was sag ich? ("Fern von ihm"), scena and aria for soprano and orchestra 1816–18?
Op.58 Jubel-Cantate (zur Feier des 50 jährigen Regierungsantritts Sr. Majestät), for soprano, alto, tenor, bass, mixed chorus, and orchestra 1818
Op.59 Jubel-Ouvertüre in E major, for orchestra 1818
Op.60 Pieces (8), for piano 4 hands 1818–19
Op.60 No.1 Moderato (Arioso) in D major, for piano 4 hands 1818
Op.60 No.2 Allegro (Allla militaire) in C major, for piano 4 hands 1819
Op.60 No.3 Adagio in F major, for piano 4 hands 1819
Op.60 No.4 Allegro in A minor ("All' Ongarese"), for piano 4 hands 1818
Op.60 No.5 Alla Siciliana, in F major, for piano 4 hands 1818
Op.60 No.6 Tema variato ("Ich hab' mir Eins erwählet"), for piano 4 hands 1819
Op.60 No.7 Marcia funebre in G minor, for piano 1819
Op.60 No.8 Rondo (Scherzando) in B♭ major, for piano 4 hands 1819
Op.61 Natur und Liebe (Cantate zur Feyer des Augustus-Tages), for 2 sopranos, 2 tenors, 2 basses, and piano 1818
Op.62 Rondo brillante in E♭ major ("La gaité"), for piano 1819
Op.63 Trio in G minor, for flute, cello and piano 1818–19
Op.64 Volkslieder (8), for 1, 2 or 3 voices and piano 1818
Op.64 No.1 Mein Schatzerl is hübsch, folksong for voice and piano 1818
Op.64 No.2 Mailed ("Tra, ri, ro! Der Sommer, der ist do!"), for 2 voices and piano 1817
Op.64 No.3 Heimlicher Liebe Pein ("Mein Schatz, der ist auf die Wanderschaft hin"), song for voice and piano 1818
Op.64 No.4 Gelahrtheit ("Ich empfinde fast"), song for voice and piano 1818
Op.64 No.5 Abendsegen ("Der Tag hat seinen Schmuck"), song for voice and piano 1819
Op.64 No.6 Liebesgruss aus der Ferne ("Sind wir gescheiden"), song for voice and piano 1819
Op.64 No.7 Ei, ei, ei wie scheint der Mond so hell, for 2 tenors and bass 1818
Op.64 No.8 Herzchen, mein Schätzchen, folksong for voice and piano 1819
Op.65 Aufforderung zum Tanze (Invitation to the Dance), rondeau brillant for piano 1819
Op.66 No.1 Das Veilchen im Thale ("Ein Veilchen blüht"), song for voice and piano 1817
Op.66 No.2 Rosen im Haare, song for voice and piano 1818
Op.66 No.3 Ich denke dein, song for voice and piano 1806
Op.66 No.4 Lebensansicht ("Frei und froh mit muntern Sinnen"), song for voice and piano 1812
Op.66 No.5 Die Lethe des Lebens ("Wenn, Brüder, wie wir täglich sehen"), for baritone, mixed chorus, and piano 1809
Op.66 No.6 Wunsch und Entsagung ("Wenn ich die Blümlein schau"), song for voice and piano 1817
Op.68 No.1 Das Turnierbankett ("Füllet die Humpen, muthige Knappen"), for 2 tenors, bass, and 2 male choruses 1812
Op.68 No.2 Ermunterung ("Ja, freue dich, so wie du bist"), for 4 male voices 1819
Op.68 No.3 Freiheitslied ("Ein Kind ist uns geboren"), for 4 male voices 1819
Op.68 No.4 Schlummerlied ("Sohn der Ruhe, sinke nieder"), for 4 male voices 1822
Op.68 No.5 Gute Nacht ("Bald heisst es wieder ‘Gute Nacht!’"), for 4 male voices 1819
Op.68 No.6 Husarenlied ("Husaren sind gar wack’re Truppen"), for 4 male voices 1821
Op.70 Piano Sonata No.4 in E minor 1819–22
Op.71 No.1 Triolett ("Keine Lust ohn’ treues Lieben!"), song for voice and piano 1819
Op.71 No.2 Ein Mädchen ging die Wies’ entlang ("Bach, Echo und Kuss"), lied for voice and guitar or piano 1818
Op.71 No.3 Das Mädchen an das erste Schneeglöckchen ("Was bricht hervor wie Blüthen weiss"), song for voice and piano 1819
Op.71 No.4 Umsonst entsagt’ ich der lockenden Liebe, song for voice and piano 1802
Op.71 No.5 Lied der Hirtin ("Wenn die Maien grün sich kleiden"), for voice and piano 1818
Op.71 No.6 Des Künstlers Abschied ("Auf die stürm’sche See hinaus"), song for voice and guitar or piano 1810
Op.72 Polacca brillante ("L'hilarité"), for piano 1819
Op.73 Clarinet Concerto No.1 in F minor 1811
Op.74 Clarinet Concerto No.2 in E♭ major 1811 1st
, 2nd 3rdOp.75 Bassoon Concerto in F major 1811, rev. 1822
Op.75a Missa Sancta No.1 in E♭ major ("Freischützmesse"), for soprano, alto, tenor, bass, mixed chorus, and orchestra 1817–18
Op.76 Missa Sancta No.2 in G major ("Jubelmesse"), for soprano, alto, tenor, bass, mixed chorus, and orchestra 1818–19
Op.77 Der Freischütz, romantic opera in 3 acts 1817–21
Op.78 Preciosa, incidental music for the play by P. A. Wolff, for voice, mixed chorus and orchestra 1820–21
Op.79 Konzertstück (Concertstück) in F minor, for piano and orchestra 1821
Op.80 No.1 Lied von Clotilde ("Wenn Kindlein süssen Schlummers Ruh"), for voice and piano 1821?
Op.80 No.2 Sehnsucht (Weihnachtslied) ("Judäa, hochgelobtes Land"), song for voice and piano 1819
Op.80 No.3 Elfenlied ("Ich tummle mich auf der Haide"), for voice and piano 1819
Op.80 No.4 Schmerz ("Herz, mein Herz, ermanne dich!"), song for voice and piano 1820
Op.80 No.5 An sie ("Das war ein recht abscheuliches Gesicht"), song for voice and piano 1820
Op.80 No.6 Der Sänger und der Maler ("Ei, wenn ich doch ein Maler wär’ "), song for voice and piano 1820
Op.81 Euryanthe, grand romantic opera in 3 acts 1822–23, rev. 1825 서곡
— Die Kerze ("Ungern flieht das süsse Leben"), song for voice and piano 1802
— Ecossaises (6), for piano 1802
— Ein Gärtchen und ein Häuschen drin, terzetto for soprano, tenor, and bass 1803
— Grablied ("Leis wandeln wir, wie Geisterhauch") 1803, rev. 1804
— Entfliehet schnell von mir, song for voice and piano 1803
— Samori, arrangement of vocal score to the opera by G. J.Vogler 1803–04
— Ich sah sie hingesunken, song for voice and piano 1804
— Rübezahl, romantic opera in 2 acts 1804–05
— Romanza siciliana in G minor, for flute and orchestra 1805
— Kleiner Tusch, for 20 trumpets 1806
— Variations on 'A Schüsserl und a Rein'dl' (6) in C major, for viola and orchestra 1802–03?, rev. 1806
— Symphony No.2 in C major, for orchestra 1807
— Komisches musikalisches Sendschreiben ("Theuerster Herr Kapellmeister"), for voice and continuo 1808
— Horch'! Leise horch', Geliebte!, serenade for voice and guitar 1809
— Chorus for Franz Danzi’s Birthday, for mixed chorus 1809
— Romanze der Laura (Die Ruinen) ("Süsse Ahnung dehnt den Busen"), song for voice and piano 1809
— Piano Quartet ("Grand quatour") in B♭ major, for violin, viola, cello, and piano 1806–09
— Was ich da thu’, das fragt Er mich?, rondo alla polacca for tenor and orchestra 1809
— Dich an dies Herz zu drücken, duet for soprano, tenor and orchestra 1809
— Trinklied ("Weil es also Gott gefügt"), for voice and piano 1809)
— Silvana, romantic comic-heroic opera in 3 acts 1808–10, rev. 1812
— Sicchè t’inganni, o Clori, canzonetta 1810?
— Die Sonate soll ich spielen, canon for 3 voices 1810
— Canons zu zwey sind nicht drey, canon for 3 voices 1810
— Das neue Lied ("Ein neues Lied"), for voice and piano 1810
— Variations in D minor, for cello and orchestra 1810
— Leck’ mich im Angesicht, canon for 3 voices 1810
— Abu Hassan, singspiel in 1 act 1810–11, rev. 1812–13 and 1823
— Rase, Sturmwind, blase, song for voice and guitar 1811
— Adagio und Rondo in F major, for harmonichord or reed organ and orchestra 1811
— Trauer-Musik ("Hörst du der Klage dumpfen Schall"), for baritone, mixed chorus, and wind instruments 1811
— Melody in F major, for solo clarinet 1811?
— Qual altro attendi ("Giusti Numi!"), scena and aria for tenor, male chorus and orchestra 1811
— Romanze (Wiedersehn) ("Um Rettung bietet ein güld’nes Geschmeide"), song for voice and piano 1812
— Lenz erwacht, und Nachtigallen, for 2 sopranos, 2 tenors, 2 basses, and piano 1812
— Schwäbisches Tanzlied ("Geiger und Pfeiffer"), for soprano, 2 tenors, bass, and piano ad lib. 1812
— Kriegs-Eid ("Wir stehn vor Gott"), for male chorus, bassoon, 3 horns, 2 trumpets, and trombone 1812
— Favorit-Walzer der Kaiserin von Frankreich Marie Louise (6) (Favourite Waltzes of the French Empress Marie Louise), for piano 1812
— Waltz in E♭ major, for 2 clarinets, 2 bassoons, 2 horns, and trumpet 1812
— Lieder (4), arrangements for wind ensemble of works by Duke Emil Leopold August of Gotha 1812
— Ein jeder Geck sucht zu gefallen, duet by J.Weigl, arranged for 2 sopranos and orchestra 1814
— Ihr holden Blumen, arietta for soprano and orchestra 1814
— Zu dem Reich der Töne schweben, canon for 4 voices 1814
— Scheiden und leiden ist einerlei, canon for 4 voices 1814
— Zu unsers Heinrich Ruhm und Preiss ("Drei Knäbchen lieblich ausstaffiret"), burleske for 3 voices 1815
— Mein Weib ist capores, lied for baritone and orchestra 1815
— Frau Lieserl juhe!, Tanzlied for soprano, baritone and orchestra 1815
— Deutscher ("Original-Walzer"), waltz for orchestra Arranged from Frau Lieserl juhe, J.184. 1815
— Wer stets hinter’m Ofen kroch, for baritone, male chours, and orchestra 1815
— Wie wir voll Glut uns hier zusammenfinden, for tenor and orchestra 1815
— Tedesco, for orchestra 1816
— Weil Maria Töne hext, canon for 3 voices 1816
— Ariette der Lucinde, for soprano and orchestra 1816
— Ein König einst gefangen sass, romance for voice and guitar 1816
— König Yngurd, incidental music to A. Müllner's play, for mezzo-soprano and orchestra 1817
— Von dir entfernt, Geliebter, recitative and cavatina by F. Paer, arranged for soprano and orchestra 1817
— Ja, ich bin entschlossen ("Lass Schmerzen, o lass Gefahren") , recitative and duet by S. Nasolini, arranged for soprano, tenor and orchestra 1817
— Donna Diana, song for voice and 2 guitars for the play by C. A. West 1817
— L’accoglienza, cantata for 3 sopranos, tenor, 2 basses, mixed chorus, and orchestra 1817
— Hold ist der Cyanenkranz, lied for solo voices and mixed chorus 1817
— Leise weht es, romance for voice and guitar 1818
— Sei gegrüsst, Frau Sonne, mir, lied for tenor and bass (with piano?) 1818
— Gloria et honore, offertory in E♭ major, for soprano, mixed chorus and orchestra 1818
— Im Provence blüht die Liebe, dance and song for tenor, chorus and orchestra 1818
— Der Tod Heinrichs IV, incidental music to the play by E. Gehe, for orchestra 1818
— Heil dir, Sappho!, for mixed chorus and wind band 1818
— Lieb’ um Liebe, incidental music to the play by Rublack, for solo voices, mixed chorus, and orchestra 1818
— God Save the King ("Den König segne Gott"), arranged for male chorus :For the play Lieb’ und Versöhnen by F. W. Gubitz. See also J.186 and J.187. 1815–18?
— In die solemnitatis, offertory in C major, for soprano, mixed chorus and orchestra 1818
— God Save the King, arranged for mixed chorus and wind ensemble 1819
— Doppel Canon à 4 für L. Spohr 1819
— Agnus Dei, for female chorus and wind ensemble 1820
— Der Leuchtthurm, incidental music to the play by E. von Houwald, for harp 1820
— Sagt, woher stammt Liebeslust, lied for soprano, alto, female chorus, and guitar 1821
— Du, bekränzend uns’re Laren, cantata for 2 sopranos, tenor, bass, mixed chorus, flute, and piano 1821
— Das Licht im Thale ("Der Gasthirt steht am Felsenrand"), song for voice and piano 1822?
— Marcia vivace, for 10 trumpets 1822?
— Den Sachsen-Sohn vermählet heute, incidental music to the festspiel by L. Robert, for mixed chorus and orchestra 1822
— Wo nehm’ ich Blumen her, for soprano, tenor, bass, and piano 1823
— Elle était simple et gentilette ("Te voir encore"), romance for voice and piano 1824
— Reiterlied ("Hinaus! Hinaus zum blut’gen Strauss!"), for 4 male voices, and piano ad lib. 1825
— Schützenweihe ("Hörnerschall! Ueberfall"), for 4 male voices, and piano ad lib. 1825
— Schottische National-Gesänge (Scottish National Songs), arranged for voice, flute, violin, cello, and piano 1825
— Soothing Shades of Gloaming, folksong arranged for voice, flute, violin, cello and piano 1825
— The Troubadour ("Glowing with love"), folksong arranged for voice, flute, violin, cello and piano 1825
— O Poortith Cauld, folksong arranged for voice, flute, violin, cello and piano 1825
— Bonny Dundee ("True-hearted was he"), folksong arranged for voice, flute, violin, cello and piano 1825
— Yes, Thou May'st Walk, folksong arranged for voice, flute, violin, cello and piano 1825
— A Soldier Am I, folksong arranged for voice, flute, violin, cello and piano 1825
— Contented wi' Little, and Canty wi' Mair, folk song for voice, flute, violin, cello and piano 1825
— John Anderson, My Jo' , folksong arranged for voice, flute, violin, cello and piano 1825
— O My Love's Like the Red, Red Rose, folksong arranged for voice, flute, violin, cello and piano 1825
— Robin is My Joy, folksong arranged for voice, flute, violin, cello and piano 1825
— Whar Ha'e ye Been a' Day, folksong arranged for voice, flute, violin, cello and piano 1825
— Olimpie, additional music for Spontini’s opera 1825
— Oberon, romantic and fairy opera in 3 acts 1825–26 서곡
— March in C major, for wind ensemble 1826
— Song of Nurmahal ("From Chindara’s warbling fount I come"), for voice and piano 1826
— Das Waldmädchen (Das stumme Waldmädchen), romantic-comic opera in 2 acts 1800
— Deo Rosa, Gottes Rose, for 4 male voices 1821
— Fragment in E♭ major 1821
— Die drei Pintos, comic opera in 3 acts 1820–21
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